A lone man in a long, flowing black coat stands on a pile of rubble, looking out at a futuristic city skyline. Above him, several sleek, silver spaceships, reminiscent of Star Trek designs, soar through a vibrant blue cosmos filled with stars and a large, textured planet. The city in the background shows signs of destruction, with smoke rising and some buildings appearing damaged or incomplete, contrasting with newer, more intact skyscrapers. The overall mood is epic and dramatic, with a cinematic, sci-fi aesthetic. The lighting is intense and atmospheric, with bright beams of light emanating from the spaceships and a soft glow from the distant planet. The color palette is dominated by deep blues and blacks, with pops of silver from the ships and fiery oranges and reds from the rubble fires. The composition places the man as the focal point, with the vastness of space and the city stretching out behind him. The scene has a wide-angle, low-angle perspective, emphasizing the grandeur of the surroundings and the insignificance of the individual against the backdrop of interstellar events and urban devastation. --ar 16:9 --v 5.2 --style raw

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A lone man in a long, flowing black coat stands on a pile of rubble, looking out at a futuristic city skyline. Above him, several sleek, silver spaceships, reminiscent of Star Trek designs, soar through a vibrant blue cosmos filled with stars and a large, textured planet. The city in the background shows signs of destruction, with smoke rising and some buildings appearing damaged or incomplete, contrasting with newer, more intact skyscrapers. The overall mood is epic and dramatic, with a cinematic, sci-fi aesthetic. The lighting is intense and atmospheric, with bright beams of light emanating from the spaceships and a soft glow from the distant planet. The color palette is dominated by deep blues and blacks, with pops of silver from the ships and fiery oranges and reds from the rubble fires. The composition places the man as the focal point, with the vastness of space and the city stretching out behind him. The scene has a wide-angle, low-angle perspective, emphasizing the grandeur of the surroundings and the insignificance of the individual against the backdrop of interstellar events and urban devastation. --ar 16:9 --v 5.2 --style raw