A bionic woman with cybernetic implants and cables attached to her back is kneeling in a snowy birch forest, reaching out to a deceased human skeleton lying in the snow. Beside the skeleton is a vintage radio and a rolled-up blanket. A tall, faceless, dark, glossy humanoid figure stands behind the woman, connected by cables to her. The scene is rendered in a gritty, detailed, painterly style with a somber, post-apocalyptic atmosphere. Soft, diffused daylight filters through the bare trees, casting subtle shadows and highlighting the falling snow. The color palette is desaturated with cool blues, grays, and whites, contrasted by the warm red and yellow of the connecting cables. The composition is slightly low-angle, emphasizing the characters and their surroundings. The overall mood is one of melancholy and exploration. --ar 16:9 --style raw --v 5.2 --q 2
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A bionic woman with cybernetic implants and cables attached to her back is kneeling in a snowy birch forest, reaching out to a deceased human skeleton lying in the snow. Beside the skeleton is a vintage radio and a rolled-up blanket. A tall, faceless, dark, glossy humanoid figure stands behind the woman, connected by cables to her. The scene is rendered in a gritty, detailed, painterly style with a somber, post-apocalyptic atmosphere. Soft, diffused daylight filters through the bare trees, casting subtle shadows and highlighting the falling snow. The color palette is desaturated with cool blues, grays, and whites, contrasted by the warm red and yellow of the connecting cables. The composition is slightly low-angle, emphasizing the characters and their surroundings. The overall mood is one of melancholy and exploration. --ar 16:9 --style raw --v 5.2 --q 2